New Earth / Tooth and Claw (Series Two, Eps. 1-2; 2006)
Viewed 05 Aug 2014
Doctor/Companion: Ten, Rose Tyler
Stars: David Tennant, Billie Piper
Preceding Story: The Christmas Invasion (Ten, Rose)
Succeeding Story: School Reunion (Ten, Rose, Sarah Jane Smith)
Our latest WhoFest was meant to be the first in my new home. The depressing fact that it wasn't (and that our move is rapidly receding into the realm of myth) was somewhat alleviated by jO's return to the fold after an extended absence.
The early, jaunty Ten had been similarly absent from all of our Who viewing in recent years. "Look how young he looks!" exclaims jO. "When was this?"
I remind the Ladies that Series Two went out in 2006, and jE summarizes our common reaction perfectly: "We're getting old."
Old we may be, but at least we're not hanging onto our youth in sheer desperation like Cassandra. And she's a crafty one, redirecting Rose to her lair for her own nefarious purposes. "[Rose] knows she's not on Ward 26," observes jE. "Why doesn't she just get right back in the lift?" It's one of several plotting flaws we notice this evening.
I found it interesting to realize how I always think of this story as having a lot of Zoë Wanamaker (Cassandra) in it, when she actually only plays the character for a few minutes. With all the body-swapping, even Sean Gallagher (Chip) spent nearly as much time as Cassandra as Wanamaker did. And, by the way, kudos to Gallagher; Chip was a physically awkward character to play, especially running through corridors with his arms straight down at his sides.
But I digress. Comedic body-swaps aside, the supposed main storyline of the episode is about the mass of humanity that's been vat-grown to use as medical guinea pigs. The Matrix-y vibe of the endless rows of pods in the Intensive Care ward is stronger this time around than I've previously noted. Then another precognitive similarity stands out. Defending her order's actions, Novice Hame explains that these creatures aren't real people. "The Sisterhood grew its own flesh," she tells the Doctor. "That's all they are. Flesh." Why do I get the feeling Moffat found some inspiration in that moment?