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Dashing and Debonair

Review of the Eighth Doctor’s era

1996
The Movie

Given that my first DVD review for the blog was of The Movie, a lot of what I have to say about this particular story has already been said. However, here it is my intention to focus less on the plot and more on the characterization of the Doctor and the production context of the piece, to be consistent with my other commentaries on the various Doctors’ eras.

First off, I love that even though it was primarily an American production, those involved did everything possible to maintain continuity with the pre-Hiatus series. In no particular order, these ties include the Seal of Rassilon throughout the TARDIS (as seen during the eras of Four, Five, and Seven, at least); the use of jelly babies (Four); the Doctor reading Wells’ The Time Machine (he met Wells as Six); the pseudonym John Smith (Two, Three); the appearance of a long, striped scarf while Eight is finding clothes (Four); a classic first reaction to the TARDIS’ dimensional transcendence (everyone); the need to give the TARDIS console a bit of a konk to make it behave (many Doctors); and, most importantly, the regeneration from Seven (which actually doesn’t come until ~20 minutes in).

Sure, there are plenty of things that don’t quite sit right. But that’s going to happen when there are so many fingers in the pie, and some of those fingers are trying to stir up a more “American” flavor (a “car” chase? in Who? hmmm…). I could point out plot inconsistencies (like why would there be a tour of the operating arena at 10pm?), but that’s kind of below the belt. All eras of Who have that; you just have to ignore it.

What I do find particularly intriguing about Eight’s character here – and who knows where this would have gone if the show had been picked up as a regular series by FOX – is the fact that he seems to have more temporal awareness of individuals’ time streams than in any other Regeneration. As she heads off to get a syringe to take a blood sample, the Doctor tells his not-yet-Companion, “Don’t be sad, Grace. You’ll do great things,” and before they part ways he tries to forewarn her of something else.

She’s not the only one to benefit from this new temporal sensitivity, though. Gareth, a guard at the Institute for Technological Advancement and Research, is cautioned about how to pass an exam, and quasi-Companion Chang Lee is told “just don’t be here” the following Christmas. These can both be brushed aside if one feels so inclined, as Gareth is stated to be the future inventor of an earthquake-detection device (and thus would obviously be a “name” from history) and a major event in San Francisco on Christmas 2000 could also easily be well known to the Doctor from his travels. However, I prefer to think of it as a new twist on his persona; somehow, he can sense threads of people’s futures. I think it’s a fascinating concept that never got explored – one of the many sad things about his nigh-non-existent televised run…

Eight’s on-screen time was exceptionally short (about 70 minutes). However, he’s gone on to be rather prolific in other media. I’ve only been covering television, though, so for these purposes he only had one (two, sort of) Companions. Here they are:

Grace herself is kind of a transitional state toward a new breed of Companion. Ace certainly paved the way for the likes of Rose, but Grace did her part, too. No one else has ever countered the Doctor’s invitation with “you come with me!” Nor had anyone before actually kissed the Doctor. On the lips! Dear god, NO! Looking back, we can almost laugh at the fan reaction to The Kiss (or three, if you count carefully), given that just about every female Companion since (and at least one male) has locked lips with one Regeneration or another – not to mention the fact that all three kisses are extraordinarily chaste. It really upset people at the time, though (some of these same fans also hate that part of post-Hiatus Who). It wasn’t how Doctor Who was done! Yet.

And that’s really the crux of it. Love it or hate it, The Movie is a perfect intermediate step between the two eras on either side of the Hiatus. It worked really hard to maintain continuity with the pre-Hiatus stories, but set the stage for some of the stylistic changes that came with the post-Hiatus revival. And it’s still really all about a mad man in a box – that curious Time Lord and his “sentimental old” TARDIS.

Summary
Eight’s era is a bit odd to define, as he was the “current” Doctor from 1996 until 2005, when the show was relaunched in its current incarnation. In broadcast form, it was gone almost before it arrived (how timey-wimey). However, it put new life back into the fanbase, with the hope that the show was not completely dead (as it never really was, with all the other media – but in this case I mean never-to-return-to-the-screen dead). More comics, novels, and audio adventures followed, making Eight the most storied Doctor of them all. Most importantly of all, to my mind, is how it bridged the 16-year gap of the Hiatus and took a unique place in Whovian history, a sort of “missing link” between its early and late phases. For that alone, I love it.

6 Comments

  1. Matt Cohen

    car chase
    Whovians tend to fixate on the car chase as an unprecedented Americanism in the movie. But, what about the horrendously long chase in “Planet of the Spiders”?

    • mrfranklin

      indulging your star

      Well, yeah, that one's pretty silly. But I see it more as indulging Pertwee's fondness for anything that goes (esp. fast!) in his final story rather than a "car chase." I mean, they weren't exactly dodging through city traffic in Planet of the Spiders… 🙂

      • Christopher Gildemeister

        Ah — so the complaint is
        Ah — so the complaint is that the movie featured a chase that was actually exciting and well done!

        🙂

        Just wanted to say — I very much enjoyed your presence on the “Introducing Nu Who Fans to the Classic Series” panel. I thought your observation about viewing the ’60s episodes as “live theater” or “filmed stage plays” was absolutely spot-on. Very similar to early American TV, actually, like “Studio One” and “Playhouse 90”. But while America fairly rapidly abandoned live TV for film Britain stayed with the latter method of production longer. And also, your approach allows the viewer to appreciate what really was great about the Classic series — the writing and the acting — while not thinking so much about the fx.

        • mrfranklin

          Gosh!

          Wow! Thank you! It's so gratifying to know that (a) someone enjoyed the panel, and (b) that same someone is reading the blog! 🙂 I really do enjoy the theatrical aspects of the black & white era – especially Hartnell. I hope that perspective allows others to learn to appreciate those stories, too.

          As for the chase, yes – there were actually some plotting reasons for it (unlike Planet of the Spiders). However, it still seems very unusual for Who. Of course, there's now been the TARDIS herself in a freeway chase scene, so I suppose it's time to let this one go, too. 😉

          • Wholahoop

            Freeway/Highway/MOTORWAY!!!!!!
            tut tut – the M4 is most defintely a motorway where a motorway chase scene is held!!! You’ll be using americanisms for Dual Carriageway and Hard Shoulder next!!! 🙂

          • mrfranklin

            My bad

            Clearly I've not yet been properly Briticized! (See? I even used a "z" (that's zee, not zed) instead of an "s" to spell it!) I'll have to work on that. 😉

            Of course, I have started to say that things I don't care for are "pants" or "rubbish" … Perhaps there's hope for me yet? 😉

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